Thinking AloudEnglish Blog

There’s something about a Renaissance man with a God complex that just won’t die.  Whether he’s summoning devils (Doctor Faustus), murdering kings (Macbeth), or designing a theocracy under the guise of morality (The Handmaid’s Tale’s Commander), you can practically hear the self-belief whirring.  The centuries change, the tights become trousers, but the hubris?  Eternal.

TV's The (Celeb) Traitors - a masterclass in the need to plan an essay. With no spoilers! There’s something almost indecently satisfying about pulling off a plan.  The clean click of cause and effect.  The sly grin of inevitability.  It’s why The A-Team and every child of the 70s loved it when a plan came together.  And why The Traitors, especially last night’s celebrity edition, is the most exquisite piece of clockwork on television.

Free Masterclass: Tuesday 28 October, 6pm (UK): a free 30-minute masterclass to kick things off. If your teenager is muttering about daggers, witches, and the general futility of existence, it’s not just adolescence. Well, it could be. But it’s also Macbeth season.

Theatre is meant to take risks - and a production so joyous and kinetic is a gift.  It’s smart, messy, generous, and completely alive.  It’s Midsummer. It’s Madness.  It’s exactly the kind of anarchic disruption Shakespeare deserves.

So, where do all the important characters go? Romeo’s parents.  When their son is busy running around with the boys, getting married at 16, killing his rival, and being banished from the city, where are Lord and Lady Montague?  Busy with dinner plans?  

I was working with one of my lovely A Level students the other day, and we were deep into our discussion of Hamlet - when it happened.  I got it. I got Hamlet.

There are some decisions in life that require deep contemplation.  Applying for a job.  Choosing a partner.  Picking your Desert Island Discs.  And then, there’s naming a puppy. 

For parents navigating the GCSE Literature grind, this 'Macbeth' is pure gold: layered, unsettling, and packed with meaty analysis. Max...

If I Am, I Am, I Am is about the individual’s fight for survival, Hamnet is about the collective weight of loss. 

Shakespeare is nothing if not a crackingly good storyteller.  That he stole most of his plot lines is neither here nor there, just don’t ask